Sabrina Ho looks to Macau art fairs and auctions to diversify economic climate far from casinos

As pressure grows on Macau to locate new reasons for revenue, scion of casino dynasty imagines another future to the other SAR
Sabrina Ho Chiu-yeng does what she’ll to help you Macau diversify. The 26-year-old daughter of Stanley Ho Hung-sun could be higher quality for gracing society and entertainment pages, however in January she organised the initial Macau sales by China’s state-owned Poly Auction and then in November held her own annual hotel art fair, having already launched an exhibit to promote the task of young art graduates in September.


“Macau has been evolving,” she tells The Collector. “We don’t desire to rely just for the gaming industry. We wish more families to come in charge of holidays, we want to boost our cultural and inventive industries.”
This can be a politically correct view to the daughter of an casino magnate. Macau is incorporated in the cross hairs of Beijing’s fight against corruption and capital outflow. The central government started urging the town to give up its being hooked on the gaming sector, the taxes where buy most public expenditures, back throughout the boom years, once the “build it and they’ll come” mentality ruled the casino industry. Today, mainland policies to discourage high rollers coupled with a slowing economy have gone up pressure to succeed to locate new revenues.
Fundamental change may be slow to come. Five casinos have opened since 2012 and more are saved to the way, including two from branches with the Ho empire – the Grand Lisboa Palace, led by Ho’s mother, Angela Leong On-kei (Stanley’s so-called “fourth wife”), and MGM Cotai, headed by Casino tycoon daughter‘s half-sister Pansy Ho Chiu-king.

So may be Sabrina’s cultural endeavours all slightly of soppy public relations to the clan?
Well, China’s biggest auction house is treat­ing her seriously, and hopes her youthful energy and family connections can help it break into a new and wealthy market where no international house has a presence. In return, Ho says, she would like the auctions to help you attract tourists and perhaps encourage the city’s 600,000 residents to build up more of an interest in culture. Their bond, called Poly Auction Macau, is 51 % owned by Poly and the rest by Ho’s company, Chiu Yeng Culture.
Ho grew up flanked by art along with other collectables owned by her parents but she actually is a newcomer on the auctions business. After graduating with an arts degree from the University of Hong Kong, in 2013, she handled the branding and marketing side with the family’s hotel and property businesses. “But I like art i asked Poly only could work part time inside their Hong Kong office, to find out about the auction world,” she says.
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