Sabrina Ho looks to Macau art fairs and auctions to diversify economic climate far from casinos

As pressure grows on Macau to locate new reasons for revenue, scion of casino dynasty imagines a different future for that other SAR
Sabrina Ho Chiu-yeng has been doing what she could to aid Macau diversify. The 26-year-old daughter of Stanley Ho Hung-sun might be higher quality for gracing society and entertainment pages, but in January she organised the first Macau sales by China’s state-owned Poly Auction and then in November held her own annual hotel art fair, having already launched an exhibit to market the project of young art graduates in September.


“Macau has been evolving,” she tells The Collector. “We don’t need to rely just about the gaming industry. We’d like more families ahead here for holidays, we want to boost our cultural and inventive industries.”
This is the politically correct view for that daughter of the casino magnate. Macau influences cross hairs of Beijing’s war on corruption and capital outflow. The central government started urging town to give up its obsession with the gaming sector, the taxes from which purchase most public expenditures, back during the boom years, when the “build it and they can come” mentality ruled the casino industry. Today, mainland policies to discourage high rollers coupled with a slowing economy have raised the pressure to locate new revenues.
Fundamental change may be slow ahead. Five casinos have opened since 2012 plus more are saved to just how, including two from branches from the Ho empire – the Grand Lisboa Palace, led by Ho’s mother, Angela Leong On-kei (Stanley’s so-called “fourth wife”), and MGM Cotai, headed by Casino tycoon daughter‘s half-sister Pansy Ho Chiu-king.

So can be Sabrina’s cultural endeavours all just a bit of sentimental publicity for that clan?
Well, China’s biggest auction house is treat­ing her seriously, and hopes her youthful energy and family connections might help it get into a fresh and wealthy market where no international house includes a presence. Inturn, Ho says, sherrrd like the auctions to aid attract tourists and perhaps encourage the city’s 600,000 residents to produce much more of an interest in culture. The partnership, called Poly Auction Macau, is 51 % of Poly and the rest by Ho’s company, Chiu Yeng Culture.
Ho grew up encompassed by art and also other collectables of her parents but she actually is a newcomer for the auctions business. After graduating by having an arts degree in the University of Hong Kong, in 2013, she handled the branding and marketing side from the family’s hotel and property businesses. “But I prefer art and i also asked Poly if I will work in your free time in their Hong Kong office, to learn about the auction world,” she says.
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