It is really an interesting proven fact that usually most widely used subculture is cooked up by somebody who seeks profit only, and then is fed with a hungry young crowd of fans. It’s not always the case in Japan, though. The skill is good for the art’s sake is exactly what comic market followers are longing for.

Yoshishiro Yonezawa, a novelist, critic and a passionate supporter of popular manga subculture, came up with a solid idea of founding an enterprise, an industry which is open for all the non-professional manga artists who form their own circles called doujinshis to create manga mimic artwork and magazines (which are called doujinshis, too). The thought became very popular as Comiket, the biggest comic market on the globe, takes place in Japan each for 3 days uninterruptedly every time in winter plus summer. There are far more than 35 thousand circles collaborating as well as over half a thousand attendees.

It is a space where freedom of expression is preached on the major, and organizers never dreamed of so large a hit of the creation. Before Comiket, the younger generation who studied in senior high school or university, took part in comic markets as amateurs, and ceased to join after graduation. But in mid-seventies this changed drastically. It came into existence not only a hobby, but a lifetime passion, numerous artists got appreciation and followers due to a growing popularity of doujinshi phenomenon. There are more than the year 2000 doujinshi markets occurring in Japan annually, and Comiket is by far the most famous one.

Currently the idea have spread beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China as well as United states of america. The amount of doujinshi circles mushroomed as markets provided great opportunities to get a great number of amateur artists and mangakas (manga artists).

At the start the predominant a part of doujinshis creators were women, about eighty percent. Inside the 1980s more males became interested, now the ratio appears to be favor female artists only slightly.
We conclude that doujinshi is often a visual cultural phenomenon that is shaped mostly by youth, yet its meaning and consequences are of global importance.

For more info about Dojin please visit web page: click site.